Tag Archives: prosthetic


Using 3D printing to create prosthetics

Richard and the Robohand team are doing extraordinary work to promote the use of 3D printers to produce cheaper and more accessible prosthetics. Their hand prosthetics, most ideally suited for those who have amniotic band syndrome, is produced in 20-30 minutes from a file they produced themselves. The prosthetic itself is extremely simple, mechanical (thus not depended on myoelectrical sensors), and supplies amazing functions to the users (move ahead to see Dylan catch a ball thrown by his father).

It is made by the Makerbot Replicator 2 3D printer, they have only added cabling and standard hardware. It works with the user’s wrist movement, and new models can be printed out once the user has outgrown the previous one.

The most amazing part of this work? It is openly accessible. Get access to a 3D printer, and use the file they have put up to print it out, and put it together.

You can support the Robohand team here.


Amber Case and Cyborg Anthropology

Her theme takes on a definition of “cyborg” I’ve actually been considering very closely. Do we really need to integrate our tools INTO our bodies to become a cyborg? Isn’t using them constantly ENOUGH for is to become cyborgs?

I love how she talks about losing a computer as a mental loss. It really is. How many of us still remember our best friend’s telephone number by heart? Losing our phones and/or computer entails an actual loss of data!
Then there’s the whole notion she puts out of “second self”. Though I agree with her, what I think about the whole cyborg situation is that there would be an actual singularity. So there wouldn’t BE a second self. There’d be YOU. As a machine, and as a human and both are one and the same.

The phrase that sticks, “Technology doesn’t just get adopted because it works. It gets adopted because people use it.” I’d like to add something on to it : If people adopt it, it’s because people’s morals are able to accept it. How does this have anything to do with cyborgs? I don’t YET think people are ready for this last phase. Talking to one of my friends at college about this whole theme yesterday, she ended the conversation with a very simple, “Yeah, but all that stuff scares me.”

The whole concept of cyborgs continues to be quite touchy. Debates are constantly popping up concerning the actual advantages of constantly being connected to other people via smartphones, etc, and the same will continue to hold true for ever more advanced prosthetics. Oscar Pistorius participating in the Olympics was an example of this, I believe. The sheer amount of people who were either against his participating in the able-bodied Olympics, or who wanted him to choose only one “kind” of Olympics seemed to me enormous (I wish I had statistics to back this up appropriately, but this comes from the talks I’ve had with countless people).

I believe the entire issue derives from the lack of appropriate definition of who can or cannot participate in each of the Olympics, which also has to do with an appropriate definition of prosthetics, enhancement, and cyborgs.


Steampunk and dieselpunk : the cyborg aesthetic?

Steampunk and dieselpunk : the cyborg aesthetic?

Continuing my series of cross-posting from the old Tumblr-oo, these were my quick ramblings concerning the steampunk fashion. They have been modified as it was originally written over a year ago.
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Through the past year, I have been thinking about this subject quite often. I don’t why my head has constantly been jumping back to what I personally find an aesthetically pleasing genre: steampunk. Then, sometime around Christmas 2011, I realized that steampunk contains what the label cyborg aesthetic might actually be fitting.

Yes, we know, steampunk and dieselpunk are sci-fi genres. What could this ultimately mean to my whole cyborg work? Let’s face it, cyborgs in themselves were, until quite recently, sci-fi themselves. When you really think about it, so was science in general! It took a lot of imagination to come up with some of the researches and ideas scientists do and have.

(Addendum: having gone much further in my research than I had at the time this was originally written, I have changed my views on this. Cyborgs, from the idea of meshing human and non-organic materials, have existed for quite a long time. Indeed, there are 16th century artificial arms, one beautiful sample of these is in the Wellcome Collection. However, this all depends on how we define cyborgs, which is an area with which I am still tackling.)

My main idea here is what kind of potential consequences these sub-genres could have on the popular view of cyborgs. Fans of steampunk usually integrate some kind of mechanical limb (clockworks and all) to their bodies (see picture). Also, this genre seems to be filtering into our mass media, slowly but surely. Justin Biever actually made a steampunk influenced music video for Christmas 2011, and last year’s displays at Macy’s are full of clockworks.

Could this, eventually, have an influence on society’s take on cyborgs? Generally, people seem to shudder when they think of half-mechanical men, but could a large-scale diffusion of this genre’s popularity change that? I have often questioned the possibility of there being some kind of claim of pride over prosthetics, as I’ve often observed in Aimee Mullins’ TED talks (which I shall post in this space at a later date). It comes from a feeling of not having had a limb taken away, but more than that, having something <i>more</i> put in its place.

Possibilities are endless when it comes to the cyborg aesthetic. My header at the moment is a leg designed for Viktoria Modesta, which she proudly wears at galas. I think my point is that prosthetics are more than aides, replacements, limbs. They can go further than a genetic leg.

Photo Credit: Anton (skeep11 on DeviantArt)